李濬益用他最擅长的娱乐化手法去消解一个非常沉重的社会议题这个处理方式本身就是带有原罪的反复出现的一家四口换着睡文具店全景变换了几次取景角度分别将远处的十字架、医疗红十字置于画框内是全片屈指可数的视听策略结尾收得倒是比导演以往的片子要写意为此加一星 with yy
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Only as sure as I am... that the reality of one night... let alone that of a whole lifetime... can ever be the whole truth. And no dream is ever just a dream. The important thing is, we are awake now, and hopefully, for a long time to come. Forever.